While the format has many upsides – notably image quality and reliable playback – its underlying technology has often been a source of confusion and frustration, leaving many filmmakers to rely on 3rd party sources/specialists to create DCPs for them. The format was developed in the 1990’s a replacement for 35mm projection, and has since been implemented in virtually every major cinema in North America (and most of the world). ![]() ![]() ![]() DCPs (or Digital Cinema Packages) have long been the gold standard for digital feature film exhibition in theatrical venues.
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